Afia Walking Tree
Demba (Drum) Djembe from Source 1 & 2
Lead with your Fiyah through Demba (Drum) Djembe
All Levels
Description TBD
Soulo with Confidence through Djembe
Intermediate/Advanced
Description TBD
🎵 GOURDSONG Shekere!
All Levels
Shake, groove, and connect with the spirit of the gourd – Bring your own, borrow from friend, or use one of ours. Come ready to move, groove, and celebrate the joyful power of the gourd!
No experience necessary to be in this space. Bring a shaker, sound bowl, tuning fork.
Amikaeyla Gaston
ROOTS OF THE CAULDRON!
All Levels
Sonic Sound Healing Tent at Born to Drum Women’s Drum Camp
All Levels
Step into a sanctuary of sound at this year’s Born to Drum camp, where rhythm meets resonance. The Sonic Sound Healing Tent is a sacred space dedicated to integration, restoration, and deep healing—an offering to support your journey before, during, and after the transformative experience of all that drum camp has to offer.
Within this tent, you’ll find skilled practitioners offering “Snack Paks”—bite-sized yet powerful sound sessions using modalities such as crystal bowls, gongs, chimes, shamanic sound tools, hang drum, and vocal toning/song. These sessions are designed to help you rest, reset, and reconnect with the wisdom awakened by the drum.
Drumming opens portals to presence, shifting consciousness and awakening waves of light and sound that move through our bodies in sacred rhythm. In the Sonic Sound Tent, you’re invited to continue that journey—to feel, not think—to allow sound to carry you deeper within for your own personal healing…as well as the healing of this planet.
Come rest. Come receive. Come realign.
All are welcome. The Snack Pak schedule will be posted at the Sonic Sound Tent and the registration table onsite. Practitioners offer these healing sessions from their hearts and graciously accept donations by way of Venmo, or a “giving bowl” on site. Website: www.amikaeyla.com
Amy Vitro
Shekere Playing and Technique
All Levels
We will explore shekere as practiced in Nigeria and other parts of West Africa. The shekere, like other drums, has its own distinct forms and cultural applications, as well as being used in other genres and mixed musical groups. This will be an all-levels class, with opportunities to play shekere, bell, and other percussion. We will work on techniques, polyrhythms, and ways to bring the energy of the shekere.
Ava Square
West African Dance
All Levels
Avotcja (pronounced Avacha)
When Ancestors Speak Through Rhythm
All Levels
It is all about La Palabra Musical, The Music Of The Word, the Rhythm that speaks in us & through us & our responsibility in using this most sacred of gifts wisely. Be ready to write, bring your instruments & be prepared to surrender your egos to each other & the Music of the Word. I want to unlock a waterfall of poetic metaphors as strong as any Rhythm you have ever heard played on the Drum & see where it takes us!!! I am ready, are you?
Carolyn Brandy
The Conga Drum!
Beginning Class, Friday
We will learn basic technique and sounds; how to sit and hold the drum; and a few simple rhythms to get us started with this charismatic drum. We will also learn some of the history of the development of this drum from Africa to Cuba to North America.
Orisha Song Class, Saturday
MOZAMBIQUE!, Sunday
Intermediate: There are parts for All Levels
This rhythm is so much fun, melodic, and energetic. Created in 1961 by Pello El Afrikan in Havana, Cuba for Carnaval, the rhythm instantly became super popular in Cuba and in the US. This is an Intermediate rhythm but there are parts for all levels.
Advanced Conga Class, Monday
Advanced
This is an advanced class. Students must have an understanding and be able to play rumba clave, palito, tumbadora, and tres dos (Segundo).
Debbie Fier
Middle Eastern Percussion
All Levels
Drums, Percussion & Rhythms of Morocco
Denise Solis & Ansarys Andino
Afro-Puerto Rican Bomba
Dancing the Drum (Saturday and Sunday)
Intermediate
In the tradition of Afro-Puerto Rican Bomba, the interaction/conversation between the dancer and the drummer is key. This is an improvised conversation and friendly challenge led by the dancer whose movements the lead drummer (Subidora(or) interprets. The dancer is inspired by the song and/or rhythm and enters the Batey (circle/cypher that Bomba happens in) and tells their story by way of their dance, an improvised set of movements that the lead drum person interprets in real time. Students will see this interaction modeled and learn how to start this conversation with the dancer in the Rhythms of Sica and Yuba. (With Denise Solis and Ansarys Andino)
Improvising language in 6/8 Bomba Rhythms (Monday)
Intermediate
El subidor me llama (Call and Response phrases on the drum)
Students will review 6/8 family of rhythms starting with Yuba, and other variations and then practice some intro language phrases with a call and response exercise between the Buleadoras (accompanying drum) and the Subidora (lead drum).
Elizabeth Sayre
The Batá Drum!
All Levels (see note below)
The batá drums of Cuba are part of the collective musical genius preserved and still developing in Afro-Cuban communities in Havana and Matanzas. The batá drums salute the revered forces of nature known as orisha (the crossroads, iron, the forest, the mountain, the wind, thunder & lightning, the river, the seas, etc.) and are part of a living spiritual tradition. They have also over time become part of the national cultural heritage of Cuba.
This class will introduce a bit of history (or herstory–crucial in the case of the batá for women students and players), correct posture and hand technique, several fundamental rhythms (such as Lalubanche, Ogún, Yakotá, Egbado [Rumba Obatalá] or others) and possibly some orisha songs. We will cover different material in each class.
At least one year of hand drum study and knowledge of 6/8 bell patterns/clave are recommended for the classes. The batá have their own hand technique (similar to congas and bongo) and require the constant development of listening and ensemble-playing skills.
Students at all levels are welcome: beginners will have a crash course in the batá; intermediate and advanced players can try a part or drum they have not played before.
Please bring batá drums (no other type of drum) and maracas (or a similar type of shaker with a handle and a clean sound). Some drums will be provided for those who don’t have them!
Jeni Swerdlow
The Great Rhythm Revival
All Levels
A joyful drumming hootenanny for all styles, skill levels, and abilities!
Come raise a joyful rhythm ruckus as we reconnect with the pulse and celebrate the power of drumming together. Bring your favorite drum or percussion instrument—djembes, frame drums, buckets, shakers, bells, and beyond—all grooves and traditions welcome. We’ll stir up a playful, life-affirming experience that refreshes the spirit, builds community, and reminds us how resilient we are when we unite in rhythm.
Jnana Gowan
Creating a Gratitude Bundle - Ritual
All Levels
Join us in the Healing Tent as we will create a haywaricuy (hai-wah-ree-kwee), also known as a despacho—a traditional Andean gratitude bundle. This sacred offering is an act of ayni, or sacred reciprocity, honoring our relationship with the spirit world and unseen realms.
Shamanic practitioner, Jnana Gowan guides you to create your own special haywa. Each item placed in the bundle carries prayerful intention and becomes a living map of gratitude, healing, and connection. This ritual allows us to give thanks for what has been, offer blessings for what’s to come, and restore harmony within ourselves and the world around us.
The haywaricuy is both ceremony and medicine—opening the heart, clearing energy, and aligning us with the flow of life. All are welcome.
Mabiba Baegne
Dunun (Bass Drums) from Guinea
All Levels
Those drums are the heart of the Malinke rhythm: the bass drum are made from hallowed tree trunks cut to a cylindrical shape and covered with cowhide at both end: the musician strikes the drum with a wooden stick on one hand, while the other hand simultaneously holds a metal stick that is used to strike an iron bell attached to the drum. The Dunun comes in three different sizes.
The names of the drums are: Kenkeni, the smallest and the keeper of the time; Sangban, the middle one is the heart; Dununba gives power and heat to the rhythm as well adding great rhythmic dimension; the bells bring another tonality and fill the space between the beats. In some regions they play one or two. Only in Kurussa and Kankan region, they play all three Dununs and bells.
West African and Congolese Dance with Live Drums
Mar Stevens
Drum Meditation
All Levels
Djembe Vibrations
All Levels
Michaelle Goerlitz
Rio-style Samba Batucada
All Levels
Some instruments are provided, but feel free to bring yours as well, including djembe or conga.
Afro-Brazilian Hand Drumming
All Levels
Neena McNair
Native American Drum
All Levels
Ouida Lewis
Opening Nyahbinghi Blessings. prayer with Binghi (Friday)
Mento to Reggae Origins (Friday)
All Levels
We go where it all started with mento to reggae journeying through the folk forms
DRUMVERSATIONS (Saturday)
All Levels
Reconnecting with internal Joy, creating meaningful dialogue using the language of the drums with the rhythms of the heart. Feeling the four.
Real Rootz... Journey through the Rootz of Jamaican rhythms (Sunday)
All Levels
A deep dive into the Jamaican Congolese TAMBU.
All Levels
Put It All Together (Monday)
All Levels
Closing blessings with The Nyahbinghi rhythm and chants (Monday)
Qween Hollins
Remembering the Powerful indigeneity of Gris-gris/ Mojo bags
All Levels
Mojo bag, also known as a gris-gris or conjure bag are used in African American folk magic practices, in the form of resistance, protection, healing and liberation. It serves as a portable amulet or charm. The items inside are carefully chosen and charged with the intention that you place upon them.
Purpose: Gris gris, Mojo bags are used to hold and manifest intentions. They are essentially a “prayer in a bag”! Common ingredients include herbs, roots, crystals, small personal items, and written intentions.
Some craft materials will be provided. If you have crafts to share, please bring them. What to bring: Items that we can bring to share for making Gris-gris / Mojo (talisman) bags.
Oftentimes we have some of these items just lying around the house and don’t know what to do with them. Well bring them and we will make beautiful powerful medicine with them! Also, when we do this collectively as a community we pull our energy together and utilize the resources we have by recycling amongst ourselves!
Please bring: twine | ribbon | yarn of all colors | crystals | dried herbs that you would like to share | seeds of all kinds | dry bird seed would be great | pieces of leather that we can make strips from | fabrics of all kinds | buttons | burlap | shells that we can string | bells that we can string | pieces of copper wire | and lastly something that you would like to put on or in your bag that is special to you.
And if you want to bring something that you think would be nice to share that’s not on this list, please feel free to do so thank you so much! We’re going to have a great time! And there is no experience necessary, no age limit, just bring an open mind and an open heart!
Blessings Queen
Crown Making & Grandmothers Circle (Sunday)
All Levels
Grandmother Wisdom Circle is a place where we share wisdom and combined strategies set a frequency that brings a transformation to generational trauma. We hold a bold vision for a new future.
In this workshop, we will crown ourselves with Flowers and claim our Sacred position as wise grandmothers. It is a recognition of the position that we hold in our families, our communities and ultimately on the globe.This circle will be a self-initiation.
Blessings Queen
Crown ceremony with flowers and ribbons and sacred herbs ! We create crowns which is an ancient tradition of many indigenous practices. These crowns announce not only are we opening our crown chakra and moving to higher ground above our trauma but we are also stepping into a frequency that calls for self-care, self-love and one stepping into that frequency we are better able to give from a place of wholeness rather than a place of scarcity. It also honors the journey that we’ve been on up to this point and looking at the journey in its entirety and saying we’re even the challenging parts are now able to be composted and turn into viable energy to step fully in our purpose. No experiences necessary if this resonates with you please join us with an open heart and open mind!
Rebecca Rose Rodríguez
Salsa Rhythms
All Levels
Rebecca offers a percussion workshop based around Afro-Cuban percussion. This class will teach how to play basic salsa rhythms. We will explore the clave, conga, bongó, chekere, maraca, güiro, and timbales and layer each pattern into a few salsa grooves. Students will be able to learn and play each instrument and incorporate rhythmic independence through each pattern. Once we learn each pattern and layer together the Cuban rhythm sections, students will be able to sing and dance to the music and explore our creativity!
Bullerengue Dance/Song/Percussion
All Levels
Bullerengue Dance/Song/Percussion with Rebecca Rodriguez and Amy Vitro. The Bullerengue is a charismatic and beloved, low impact, dance form that comes from the Caribbean region of Colombia. The Bullerengue has its own songs and rhythms. Rebecca will be teaching the dance with the beautiful skirts (polleras) to dance in, as well teaching some songs.
Amy Vitro will be leading the percussion section-You! Bring your djembes and maracas and/or an alegre, which is the Colombian drum used in this rhythm.
Rita Hargrave
The Last Mambo: Beats That Move Us
All Levels
“The Last Mambo” is a feature documentary film that explores the unique heritage of the San Francisco Bay Area Salsa and Latin Jazz community. The Last Mambo profiles how this network of musicians created innovative approaches to Afro-Cuban based music. The Last Mambo profiles the performers and participants who transformed the art form into a social movement dedicated to integration, cultural preservation and music education.
- describes how the cultural traditions of the Latino and African American individuals who migrated to Oakland and San Francisco for work and new opportunities during the WWII first melded into an entirely new expression
- highlights how the Bay Area’s distinctive sound exploded into the national consciousness
- explores how immigration and cultural exchange can bring together diverse cultures into an artistically rich, vibrant community
- underscores the impact that music and dance can have on both individuals and society at large
Susu Pampanin
Fun With The Drum
All Levels
Join me for a lively class, focusing on Middle Eastern rhythms! Bring any type of drum, and everyone is welcome, regardless of skill level. We’ll kick things off with a warm-up, dive into techniques for producing amazing sounds, practice some drills, explore various rhythms, and enjoy a jam session. Plus, Amina will be there to help out and share some movements for anyone interested in dancing along.
Sue Kaye (Suki)
African Caribbean Styles and Techniques
Beginners
We will work on getting good sound out of the drum , and exercises and rhythms to develop balance and timing at the same time as exploring traditional and social styles of percussion played in music of the African diaspora. Congas, ngomas, djembes, bells, sticks, shakers, etc. can all be included!
Congo to Cuba
All Levels
We will work on getting good sound out of the drum , and exercises and rhythms to develop balance and timing at the same time as exploring traditional and social styles of percussion played in music of the African diaspora. Congas, ngomas, djembes, bells, sticks, shakers , etc can all be included!
Sheree Seretse
Welcome to the World of Zimbabwean Marimba Music
All Levels
The ensemble of instruments is comprised of sopranos, tenors, baritones and bass marimbas. The class will include an introduction and cultural perspective. The workshop will not use written notation. It will draw upon your listening and visual skills. The music is made of short repetitive melodies and rhythms which interact to create polyphonic and polyrhythmic sounds and melodies. If you can hone into those skills and use your hands you can play the marimba. Come make a joyful sound with this infectious music. Each session will focus on a different song.
Tannee Osborne
West African Drumming
All Levels
A very beginner friendly exploration into West African Drumming. With the use of Djembes and Dunduns I will introduce the “ABC’s” of an ancestral language of love we can all learn to hear and use to bring joy and unity. This workshop will touch on history, technique basics, and deepen the understanding of the conversation happening between the drums as well as a moment to be free and release.
Zero experience is required and all levels welcomed.
Ballet/Performance Dun dun & Djembe: Intro to Breaks & Performance Intros
Intermediate/Advanced
This class is for the players that already have the basics down and are looking for a little challenge. We will explore an learn an extended performance break/intro. Both djembe and dun dun players welcome.
Thaís Bezerra
Tá no Batuque: Brazilian Rhythms — play, dance, sing, and smile
All Levels
This joyful, hands-on workshop introduces the Tá no Batuque methodology and the vibrant world of Brazilian rhythms through three simple steps: rhythmic immersion, section-based learning, and ensemble playing. Together, we’ll explore accessible arrangements inspired by ijexá, samba, baião, carnival marchinhas, and more.
Participants will experience the music from the inside: playing, moving, singing, and building groove as a group. Along the way, they will learn core rhythmic patterns, variations, and practical tools for leading percussion ensembles in both educational and performance settings.
Come ready to connect, create, and celebrate rhythm together.
Trinity Watkins
Kundalini Yoga
All Levels